Top 10 Albums of 2012

2012 was a great year for music. In a not-so-particular order, here are my top 10 favorite albums of the past year.

1. Beach House - Bloom
2. Grimes - Visions
3. Sharon Van Etten - Tramp
3. Yeasayer - Fragrant World
4. Tennis - Young & Old
5. Alt J - An Awesome Wave
6. Django Django - Django Django
7. Poliça - Give You The Ghost
8. Patrick Watson - Adventures In Your Own Backyard
9. Chairlift - Something
10. The XX - Coexist

Here are some top 10 lists that are worth perusing:

KEXP DJ Top 10 List of 2012
KCRW DJ Top 10 List of 2012

Who Needs Coachella When You Have FYF

I am just blown away at how awesome the 2012 FYF Festival was this year. 2 days, 4 stages, under $100, tolerable heat, more bands I wanted to see, AND I got to go home in between. I mean, really, why go to the desert?

Let's just get it out there that I didn't arrive until 3 pm both days. The night prior to the festival's commencement, I saw Niki and the Dove at the Echo. The openers for that show (Devin) also opened up FYF and I was not impressed (NATD on the other hand were stellar).

I walked in as Two Gallants were finishing their Black Keys-ish brand of rock. I don't know them well but I liked their sound. The first act I really cared about was Chairlift. Even though I saw them in March at the Troubadour, I was eager to see them here. Their album "Something" is one of my favorites this year. Like the Troubadour show, they opened with Sidewalk Safari. Sadly, they seemed to be off from the start. As cute as the new keyboardist was in her barely-covering-panties t-shirt/dress, I don't think she had the songs quite down yet. Or the heat had gotten to her. Midway through the set, the computer broke down leaving the band without their pre-record. This left the keyboardist to pick up the slack - which she didn't seem able to. After several sloppy songs (I won't even upload "Take It Out On Me" to YouTube out of respect for the band), Caroline Polachek seemed visibly frustrated and disappointed. The other half of the duo, Patrick Wimberly, appeared to try to make lemonade out of...well, a broken macbook pro, by carrying on with the show but the mistakes coming from the keyboard made it impossible for Caroline to sing. She restarted "I Belong In Your Arms" but ultimately walked off stage at the end - leaving us without "Amanamenesia". It was unfortunate. I will see them again though. I just hope they have their act together for tomorrow's show at the Greek.

Chairlift - Frigid Spring

No matter how many times I see Warpaint, I continued to be mesmerized by their blend of psychadelic jams and gorgeousness. A group of barely-post-pubescent guys behind me were scoffing at the pretty girls with guitars on stage as having all those instruments "just for show". It only took one song for their jaws to drop and proceed to comment throughout the set "I'm having my mind blown right now" / "I want to marry all of them". IMHO, they stole the show on the main stage Day 1.

Also awesome on day 1, Purity Ring. I loved their light cocoon stage. M83 opened with a song I don't care for so...I left. I know, I know "HOW COULD YOU MISS REFUSED?????" - I already got my fix of hardcore bands reuniting this year with the At The Drive-In show in Austin. I didn't need to see a band like that at a festival. Sue me.

Purity Ring - Lofticries

The second day for me was all about Yeasayer. Their new album, Fragrant World, is perfect (as I've said in previous posts). The day began though with David Cross's comedy set. Despite being overpowered by the band playing one stage over, he was, well, David Cross. Who doesn't love David Cross and his colon cleansing jokes? I don't know if I needed to Cursive again having already said goodbye on their farewell tour in 2007. After they played, one of the coolest acts I saw hit the stage - Lightning Bolt. I was thoroughly unprepared for what was to come from this two-piece from Providence. The drummer/singer had a Frankenstein kit that neither needed nor had a hi-hat. His mic was attached to a homemade mask he wore. I wish I had known them better. And that I had worn shoes.

Lightning Bolt

After seeing a few more bands (Liars and Desperacido), it was time for Yeasayer. They opened with a reggae/dub version of Henrietta that served to set the tone for the remainder of their set. I'll let the videos speak for the rest.

Yeasayer - Henrietta

Yeasayer - Wait For The Summer

Yeasayer - Reagan's Skeleton

Beirut also delivered a knock-out set but the energy was a little less coming after Yeasayer. Still, that was one heck of a lineup.

Beirut - Nantes

There were a few other bands I couldn't see due to scheduling (i.e. Sleigh Bells - I heard someone lost a thumb in the barricade when the crowd surged) but hats off to FYF for truly making the best weekend of the summer (as they continued to remind us on the screens).

FYF. All about Yeasayer

Well, my calculations turned out to be correct. I figured with FYF on a hot Labor Day weekend, people would be ditching their tickets on Craigslist as the date neared to anyone willing to buy. I scored a pass fro a girl looking to get out of town for $60. Sorry FYF promoters. I would have totally paid full price if I didn't have that gut feeling that I could score a deal

Ok, if you read my earlier post regarding Yeasayer's single, Henrietta, in which I predicted Fragrant World would be my favorite album of the year, I may have been spot on. It. Is. Amazing. I CANNOT wait to see them Sunday. The opening and closing tracks are just beautiful. Pick up the colored vinyl now while you still can. I saw some at Origami on Wednesday.Speaking of...that's pretty awesome they're moving their whole shop to FYF for the festival.

Here's my agenda so far. If there's a gap, I'm wandering.

Saturday: Chairlift-->Warpaint-->Tanlines-->Purity Ring-->M83-->Refused

Sunday: David Cross-->Tiger & Woods-->Lightning Bolt-->Yeasayer-->Beirut-->The Faint

The Drive Tour Broke Down At the Echoplex 8/5/2012 - A Review

With a line stretching to the "lake" one would think the Drive Tour (featuring Electric Youth, Anoraak, and College) would be something special. It was not. It was mediocre electronic knob turning played to a backdrop of something I maaaaay actually be keen to use a a screen saver. France's Anoraak were good - but still, try sounded like a C-grade version of Phoenix. The saddest thing is there was a great show upstairs featuring Captured Tracks artist DIIV. I'm actually writing this while having some barley wine at El Prado across the street while I wait for that sold out show to end so I can buy some merch.

Regarding Drive...Next time I'll take the train...

A Perfect eXXecution by The XX in Los Angeles 7/23/2012

I'm not going to write too much about this one. I will say it's shows like these that make me love this city. Openers Haim (who were recently seen stealing the show from underneath Geographer at The Echo) mesmerized the audience with their wild hair, perfect harmonies (they're all sisters), and primal drum finale. Seriously, check these girls (and guy) out. I can guarantee they will be playing every festival next year.

The XX came on around 10:20 and played an hour set with one encore. The entranced the crowd with a roughly equal number of the songs we know and the songs we can't wait for when their new album "Coexist" drops in September. Good luck getting in to the Palladium or Hollywood Forever when they return in a few months.

 
VCR


New Song


Stars

Beach House Shack Up at The El Rey

The Buildup
Before the summer concert season started, I told my friend Nicole that there really was only one band I wanted to see that I had never seen live before - Beach House. In my opinion, Bloom is so far the runaway contender for best album of the year and Teen Dream still gets regular rotation. So, when they announced the show at the El Rey, I was ready to buy tickets at 10 am Friday morning like my email from Goldenvoice said. That time came. Tickets "went on sale", and from what I've gathered, everyone who tried to get them was left scratching their heads. It turns out, to obviate the need for scalpers, Beach House had sent out a tweet and a link to their own ticket page that sold out the show before us regular schmucks had a chance.

*Side note* I was following @BeaccchHoussse at the time but hadn't checked my Twitter for a few days.

So, utterly depressed and upset, I proceeded to add Beach House to twitter alerts in the event there was any more news. I was overjoyed when they said not to buy from scalpers, that there would be more shows in LA. But I was bummed when those shows were scheduled 3 months away. I needed my fix!

So, fast forward 1 month of me checking CraigsList every day, offering to trade an XX ticket (for which I had a lot of offers), and ultimately throwing all my eggs in the KCRW ticket giveaway basket. I didn't win. I had friends calling as well with my member number (whom I would have taken). No one got through. The Los Angeles phone system was most likely brought close to failure thanks to the number of people trying to win those. My only hope was to find a poor soul at the door whose scalping deal had fizzled out who had recently broken up with their girlfriend/boyfriend to the benefit of moi.

Getting In
I got to The El Rey around 5:30 (after having stopped by an hour earlier on the way home from work just to survey the scene - no one there yet). There were rumors from an uninformed El Rey employee that there may be a few tickets at the box office. Those hopes were shattered. The number of people looking for tickets swelled. The number of people selling remained at zero. I continued to check Craiglist and emailed everyone who posted that they had an extra - albeit for an extravagant price. One seller said he had 2 for $80 which was a steal. So, of course, I wasn't surprised when he wrote back that they were sold.

I befriended a fellow ticket-seeker from Japan named Inako. There was another guy named Michael looking for a pair for he and his absent girlfriend but who didn't realize that a two-ticket, will call only show meant he would not be able to find a pair at the same time. When the sole scalper on the block came to Micheal saying he found one, Michael said to come back when he had two. Then Michale turned to Inako and I and said "Those ones are mine". The scalper came back a few minutes later saying he sold the single to some other guy for $60. Stupid, stupid Michael.

As the line was let in still no tickets surfaced, the situation was looking bleak. Inako and I had been there since the beginning though and weren't ready to give up. 9 o'clock rolled around and the openers, Wild Nothings, began to play. Then, a miracle happened. The Craiglist emailer who previously said his tickets were sold wrote me a new message asking if I still needed one and that he was already inside. I left Inako to run over to the smoking area in the hopes that this person would come dashing out and we'd do a Titanic-eque ticket exchange over the velvet rope and barricade. It didn't happen. He was sending confusing messages about having a transfer take place and I was responding with an imperiled "can't you just come out and transfer me the ticket?!?". Since he thought I initially needed two, but now only needed one, he assumed I had a friend on the inside who would pay him so that the whole transaction would be out-of-sight, out-of-mind.

Then, I remembered Inako. I ran back to where we were standing and saw the ticketmaster logo in her hand. She got a ticket! We hugged then I asked, "How much?". "$65!" she said. Which was better than the $75 Michael ended up paying just before. Then I said, "Ok, ok. There is a guy on the inside with one for me. Can you help." To which our never-give-up-hope bond came through and she said "of course!".

Two minutes later, Inako came running out to the smoking area to follow through on the aforementioned Titanic-esque ticket delivery. And that was it. Like Charlie Bucket's golden ticket, I was in!

The Review
Wild Nothings had a half dozen or so songs left. Honestly, I couldn't care less. My heart was beating so fast in anticipation. I owed Inako a huge debt of gratitude especially since my ticket was $25 less than hers. She was so gracious though and wouldn't accept any evening out of the costs. I found a spot on the left side, she found a better spot on the right in one of the El Rey's alcoves. So that's where we watched Alex Scally and Victoria Legrande, aka Beach House, take the stage promptly at 10:15.

The crowed was going wild so it makes sense that "Wild", Bloom's 2nd track, is what they opened with. Alex played his guitar sitting down, Victoria was center and rather shadowed, and Mr. Drummer Man on stage right. The backdrop looked like something out of an industrial chase scene with the giant slow moving fans, spotlight flooding through them and all.

Other People



Victoria's voice was spot on to how she sounds on the album - but not in an impersonal "i should have stayed home way" - in a "she is really fucking good" way. Throughout the hour and a half long show (unheard of for an indie band!), the band played nearly every song off Bloom, about half the tracks from Teen Dream, and a a handful of songs off thier first two albums. The lighting got more and more intricate as the show went on and Victoria really seemed to be enjoying herself. Alex stayed seated for approximately half the songs but it didn't do anything to demure the vibe of the show. In fact I felt it was very apropos for him to play seated on the songs that he did. There is something very introspective about playing a guitar while seated that you lose when you bring the rock star out to play standing.

Lazuli


They closed their main set with the 1st song off Bloom, "Myth". The encore began with "Turtle Island", then "10 Mile Stereo" and finally "Irene".

In closing, the journey was well worth the destination. I look forward to seeing them in September.

Set List
Wild
Walk in the Park
Norway
Other People
Lazuli
Gila
Equal Mind
The Hours
Silver Soul
New Year
Zebra
Wishes
Take Care
Myth
Encore
Turtle Island
10 Mile Stereo
Irene

10 Mile Stereo

Yeasayer Release Preview of my soon to be favorite album of 2012

For those in the know (aka signed up to the email list), Yeasayer just released the the single to their upcoming sure-to-be-masterpiece album #3 entitled Henrietta.

Download it here: Henrietta

*repeat*

*repeat*

*repeat*

Thr Drums Bring Out All the Kids @ The El Rey - 5/14/2012

Do you know where your children were last night? Chances are, they were at the first of two sold out shows by New York's, The Drums. As we made friends with the kids, scalpers, and homeless people giving away peace stickers, my friend lamented "It seems like a good time to be in high school". After over an hour outside, we were let in. For how long the line was, it was surprising how few people had the fan club will-call tickets. Too bad. They could have saved on some service charges.

There seemed to be a heavy British/Morrisey theme with both of the openers. Part Time took the stage at 8:45 sharp and played somewhat crooning yet entirely-too-long songs. The packed crowed loved them. Then Part Time played a set strikingly Smiths sounding tunes. You could tell the singer of Craft Spells had been working on his English accent for a long time. While talking in between songs, his American accent cracked like many of the other high schooler's in the crowd. Nonetheless, the crowd loved them too.

When the curtains finally raised for The Drums at 10:45, you could easily pick out the teenagers in the audience were too drunk for their own good. The set began with the 3rd song on their 2012 release, Portamento. Singer Johnathan Pierce's gawky dance moves enraptured the audience as he appeared to them as a blonde messiah...err, I mean Morrisey. They played through a nearly equal number of tracks off their new record as their debut with the latter clearly being the high energy pop-anthems that the kids came out to see.

Sadly, the sound at The El Rey didn't serve well to their catchy melodies and it was at times extremely hard to hear the second guitar. I don't think anyone else noticed though. Their first single off Portamento, Money, was played at an even faster pace than the album version which created a mini mosh pit of singing youth. After a brief exit from the stage, Pierce performed his soliloquy Searching For Heaven before the rest of the band came back for two more songs.

The great music, the underage drinking, the carelessness in fashion choices (high-waisted cutoff denim shorts outnumbered just about anything else), and the ringing in the ears do bring me back to my youner years seeing shows. Which lead me to agree with my friend, it does seem like a good time to be in high school.

Guantlet Hair - Live @ The Satellite Review 5/11/2012

What happened to being musically curious? I feel like that trait diminishes exponentially as people get older. Well, by people, I mean people I know. You see, I had four tickets for Gauntlet Hair at The Satellite last night (2 purchased, 2 deeded to me by the venue) and I could not convince a single friend to come out with me. Ok, ok....it was Friday. People had things going on already. But let me tell you, Gauntlet Hair was probably better than all of them.

I first heard about GH way back towards the end of April when Liza (the Paraliza) Richardson played them on KCRW She said something akin to "That was Gauntlet Hair. They're playing The Satellite in a few weeks". That was good enough for me. As soon as I parked, I whipped out my iPhone and bought tickets.

Fast-forward to last night. Despite 2/3 of the band playinig barefoot, these guys from Colorado put on a foot-stomping show that was sort of equal to (Explosions In The Sky - the boring parts) + WU LYF. Opening up with Mop It Up - the 3rd track on their self-titled debut on Dead Oceans, they played a nearly 45 minute non-stop set drenched in reverb, delay, and 808 beats coming from the drum set. To me, that sounds like a perfect way to spend a Friday.

As one friend of mine texted back upon being invited: "Hahahaha - that's the weirdest name ever. I commend them". And beyond their moniker, they are definitely worth the commendation.

A Quick Catch Up

Since I feel like writing again, I figured I should memorialize all the shows I went to (aka have ticket stubs for) since the Detour Festival post.

11/6/2008 - TV On The Radio @ The Wiltern
11/12/2008 - Dungen @ The Echo
11/21/2008 - Rodriguez @ The Echoplex
12/2/2008 - Smashing Pumpkins @ Gibson Ampitheatre
12/11/2008 - CCS/Natalie Portman's Shaved Head @ The Echoplex
12/18/2008 - Warpaint @ Bordello
12/20/2008 - Warpaint @ Space 20
12/21/2008 - Buddyhead Christmas @ Hotel Cafe
2/17/2009 - Lykke Li @ The Glass House
3/24/2009 - The Spinto Band @ Spaceland
5/9/2009 - Iron and Wine @ The Troubadour
5/29/2009 - Black Moth Super Rainbow/School Of Seven Bells @ The Troubadour
7/11/2009 - Camera Obscura @ The Fonda
8/29/2009 - Modest Mouse @ The Grove of Anaheim
8/30/2009 - The Mars Volta @ Hollywood Palladium
10/4/2009 - Miike Snow/Jack Penate @ The Echoplex
10/7/2009 - Fever Ray @ The Fonda
10/15/2009 - Dan Deacon @ The Echo
10/19/2009 - The Decemberists @ Royce Hall
10/29/2009 - Built To Spill @ The Echoplex
11/4/2009 - Pixies @ Hollywood Palladium
12/14/2009 - Edward Sharpe & The Magnetic Zeros/Fool's Gold @ The Mayan Theater
12/16/2009 - Zero 7 @ The Orpheum
12/17/2009 - Fool's Gold @ The Echo
1/13/2009 - Warpaint @ The Echoplex
1/14/2010 - The Builders and the Butchers @ Spaceland
1/15/2010 - Rebirth Brass Band @ The Roxy
3/9/2010 - Laura Viers @ Spaceland
3/12/2010 - The Cave Singers @ The Echo
3/24/2010 - Cymbals Eat Guitars @  The Echo
3/29/2010 - Warpaint/Moonrats/Dot Hacker @ Spaceland
4/16/2010 - Bad Religion @ Sunset House of Blues
4/30/2010 - Murder City Devils @ The Fonda
5/9/2010 - Les Savy Fav @ The Echoplex
6/2/2010 - Miike Snow @ The Fonda
4/5/2010 - The Buzzcocks @ Club Nokia
7/9/2010 - Ariel Pink's Haunted Graffiti @ The Echoplex
7/20/2010 - Omar Rodrigues-Lopez Group @ Spaceland
9/14/2010 - Omar Rodriguez-Lopez Group @ The Troubadour
9/16/2010 - Menomena @ The El Rey Theatre
9/28/2010 - The Black Keys @ Hollywood Palladium
10/5/2010 - Belle & Sebastian @ Hollywood Forever Cemetery
10/18/2010 - Foals @ The El Rey Theater
10/19/2010 - Manu Chau @ The Troubadour
11/16/2010 - Blonde Redhead @ The Fonda
4/2/2011 - Bill Frisell Trio @ Royce Hall
4/20/2011 - Paul Simon @ Kodak Theater
5/2/2011 - Battles @ The Echoplex
5/22/2011 - Yeasayer @ The Glass House
5/29/2011 - Prince @ The Forum
6/21/2011 - Jaga Jazzist @ The Troubadour
7/1/2011 - Blonde Redhead @ The Echoplex
9/29/2011 - Fool's Gold @ The Troubadour
10/18/2011 - Gotye @ The Satellite
1/16/2012 - Portlandia Tour @ The Echoplex
1/25/2012 - Alabama Shakes @ The Troubadour
2/1/2012 - Fujiya & Miyagi @ The Echo
2/9/2012 - Class Actress @ The Echo
2/23/2012 - Wye Oak @ The Troubadour
3/7/2012 - Blitzen Trapper @ The Troubadour
3/8/2012 - Crystal Antlers @ The Echo
3/20/2012 - Sharon Van Etten @ The Avalon
4/9/2012 - At The Drive-In @ Red 7, Austin TX
4/11/2012 - Charlift @ The Troubadour
4/17/2012 - Kimbra @ The Troubadour
 4/19/2012 - Wild Flag/First Aid Kit @ The El Rey Theatre
5/2/2012 - Tennis @ The Troubadour
5/4/2012 - Father John Misty/A.A. Bondy @ The Natural History Museum
5/7/2012 - Youth Lagoon @ The Troubadour

I'm back! Minus my hearing thanks to Youth Lagoon @ The Echo

Where have I been the last 3 and a half years??? I'm pretty sure I went to a show or 100. Twitter was invented too. More on that later. For now, I feel like writing about Youth Lagoon. Writing is all I can do to describe the show since the words coming out of my mouth in a verbal account would be unintelligible thanks to my new found deafness. It was LOUD. The subwoofer was like a weaponized subwoofer. My insides sloshed, my teeth rattled, my boogers dislodged, my ear drums melted.

Youth Lagoon played a late night set (only late because there was no opener) taking the stage around 10:50. I don't know his songs well enough to recall the titles but I was in a euphoric dance mood watching the young Trevor Powers layer his synth on top of some seriously awesome 80's drum beats. His friend Logan (no relation to Lagoon) provided the "real-life" instrument notes on a strat which complimented and balanced out the bedroom synthesizer feel of Trevor's part. Don't get me wrong, the music was great and I was dancing along to it whenever I wasn't protecting my ears from imminent rupture.

Coming straight from his opening set for Death Cab at Disney Hall, they played a short but sweet set to the very sold out crowd at The Echo. They played one encore and were finished by 11:30. If you know anyone who went to the show, give them a break should they constantly ask you to repeat yourself. I know I'll be doing that for a few days.

LA Weekly Detour Festival Review

I don't know if having my favorite band headline the Detour Festival was a good or bad thing. On paper, it looked like a day full of new bands to check out culminating with the icing on the cake, The Mars Volta. What happened though, was that I was so anxious to see Mars Volta I wasn't really feeling any of the opening bands!

Waiting for the Volta


So, in brief, Datarock were still wearing the same red track suits. If their new song was any indication of the rest of their forthcoming album, I must say "I'm glad to have seen them when...".

Datarock


Bitter:Sweet were pleasingly KCRWish-thanks for the tickets BTW ;)

Bitter:Sweet


Hercules and the Love Affair provided disco beats that bled from one song to the next. They were a great way to warm up our dancing shoes.

Though I've been intending to check out Gogol Bordello for quite some time, when it came down to actually watching them, I just wasn't feeling the gypsy punk amongst the aforementioned disco beats and the anticipation of the Volta.

I'm sorry Teresa, I know they're your new favorite but Cut Copy were passable-at least in the festival setting. They essentially played backup to their CD. What happened to LIVE MUSIC??

Mars Volta. What can I say? I'm partial. They played a beatiful set beginning with a 30 minute Drunkship. The band has been known for providing sub-par performances at festivals but that was not the case here at all. With family and friends-including John Frusciante-watching from the side stage, TMV played as if they're year of constant touring was all practice for this final US performance.

A new song was introduced before Wax Simulacra which wasa along the lines of the mellow Asilos Magdalena. The band were in great spirits with smiles all around. Omar was the maestro of the evening-he apperaed as if he should have had a conductors wand instead of a guitar at times by the way he controlled the direction of the improvisations.

And for those who say they can't ever hear Ikey's keys or Ardrian's horns, they were both given extended guitar-less solos during the closing 30 minutes Goliath jam. Long live the Volta! It wasn't all jams though, "old" favorites Viscera Eyes, Meccaamputechture, and The Widow were played along with Ouroboros and Ilyena

Ouroborus


New Song! and Wax Simulacra

Nice surprise at Molly Malones

I had gone to watch a co-workers band play and sat down to watch the band before them. They were a nice rock/jazz/singer-songwriter quartet called The Jane Carrey Band. Well, it turns out that it was Jane Carrey's birthday and her dad Jim was sitting at the table next to us!

What was great was that no one bothered him about autographs or pictures. It's very nice to see that in this city people can still go out to enjoy family events despite their recognition (see Flea's attempt to get a beer in my last post).

Jane Carrey Band

John Frusciante & Flea Rock The Troubadour

My improv-jam-god wish list just got shorter Thursday evening when Jon Frusciante and Flea spontaneously announced a secret show at the Troubadour.

The first act of the night, Weave, seemed to be riding on the "So bad we're good" coattails of No Age. I'm not buying it. They belonged in a high-school quad.

The middle-child though, was of another school entirely. Warpaint is one of the freshest acts I've seen in a while. Fronted by three beautiful girls (not that that matters, right?), their music was complex, ethereal, and grooving all in one. I was captivated and can't wait to see them again.

Warpaint


Flea and Frusc were in the house from early in the evening. Between Weave and Warpaint, Flea attempted to get himself a beer walking through the floor and was immediately mobbed by fans looking to update their myspace (facebook) defaults with cell-phone pictures of them and their favorite Chili. Needless to say, Flea went thirsty for a little while.

When the jammers finally took the stage (as if the Troubadour wasn't always on schedule-another reason why I love them), the venue was sold out to it's 300 person capacity. Frusciante was donning a full Jesus beard and grandpa pants hiked up to his belly button. But more importantly, he had his beautiful vintage Strat. He and Flea gave each other a count-off and the jam was on.

The first song lasted nearly 7 minutes and set the tone with a complex rhythm that was trademarkedly groovy at the same time. The amazing Stella Mozgawa of Mink provided the drums alongside Josh Klinghoffer who was primed to give us some spaced out sounds. Sadly, Stella's thumping ruptured her bass drum about 25 minutes into the set. Her tech swapped out her drum with Josh's but that left a noticeable void coming from his kit. Then, sadly, his effects seemed to not work for the rest of the evening either.

Once these technical difficulties presented themselves, John seemed to become a bit distracted but still managed to fill all our heads with his sweet sounds. The entire set was around 50 minutes and like all great bands, no encore was provided-though that could be more to do with half of the musicians performing with broken instruments.

Tickets were readily available at the door thanks to the Troub only allowing fax or cash orders. THAT is how secret shows should be done.

John and Frusciante - Intro Jam

The truth about the Republicans lies this week

from Truth Fights Back:

This is what’s wrong with our politics. At the Republican convention, speaker after speaker just flat-out lied, and our news media isn’t calling them on any of it. YOU CAN’T GET THE STORY FROM THE PUNDITS.


They smeared Barack Obama repeatedly and told lies big and small.


Here’s just a few of them:

- Sarah Palin and John McCain claim that Barack Obama wants to raise our taxes, but the vast majority of families are way better off under Barack Obama’s plan. JOHN MCCAIN ACTUALLY WANTS TO TAX OUR HEALTH BENEFITS!!! Barack Obama’s plan only raises taxes on people with individual incomes over a quarter-million dollars.


- Sarah Palin and John McCain lie and claim that their plan is better for people like us. They don’t cut taxes for us hardly at all, and wipe out that cut with their plan to tax our health benefits!!!! Barack Obama actually cuts middle class taxes to try to restore fairness that was lost under Bush.


- Sarah Palin lied when she said Barack Obama had authored “no major law, not even in the state senate.” This is just a bald-faced lie. In fact, just in the US Senate, Barack Obama passed the most sweeping reform package since Watergate, and reached across party lines to pass, with Senator Lugar, legislation to help keep nuclear weapons out of the hands of terrorists and, with Senator Coburn, legislation to create a revolutionary database that makes government more transparent and accountable.


- Sarah Palin and John McCain continue to lie about Barack Obama’s energy plans. They keep pushing more drilling as the main answer to our problems, when it won’t do anything to lower the price of gas. And then they claim Barack Obama, in the words of Palin, “is against producing [more energy]. Barack Obama is for producing more clean energy and ending our addiction to oil. He has the most comprehensive energy plan of any Presidential candidate in history.


- The Republicans keep attacking Barack Obama’s plans for Iraq, even though the Iraqi government AND THE BUSH ADMINISTRATION just signed an agreement that follows the plan Barack Obama has been advocating for months.


- It’s the same thing on negotiations and diplomacy. Sarah Palin attacked Barack Obama for holding the position that the Bush Administration has belatedly been forced to adopt: holding direct talks with Iran. We’re too strong a country to be afraid of talking to Iraq.


Let’s pass this along and let everyone know what’s really happening.

Time to play catch up.

It seems like I haven't done anything in the last 2 months. Looking through my camera though, I guess I'm wrong. Here's a recap of what's been going down.

July 24th - Tokyo Police Club @ The Hammer Museum

Hooray for free shows. Plans to stay home and catch up on some R&R? Sorry. There is just really no excuse not to go see the free music at the Hammer. This past Thursday Canadians best mis-named band, Tokyo Police Club, played to a packed house in the courtyard for the last of this summer's I Also Like to Rock series hosted by Indie 103.1. People unfortunate to have exercised their "Who goes to shows on time?" philosophy sadly had to wait in line on Wilshire Blvd (and wrapping around the corner) until TPC were halfway through their set.

Openers, Afternoons, were like a bad version of The Arcade Fire and Modest Mouse without any of the quirkiness that make either band enjoyable. Do they really need 2 drums? I guess if you're nly half as good as you're supposed to be...


Tokyo Police Club played all their sprightly, youthful, anthems in pretty much the same manner as their show at the Troubadour a few months back. Nothing new in their set but they were still enjoyable to watch. I still feel as though their songs titles should all be appended with an '(unfinished)'. All in all...well, all in all, it was free. And the John Lautner exhibit is amazing!

Kids from Tokyo


Balcony Seats


July 19th - Glow at the Santa Monica Pier

Complain all you will but I thought it was a good idea. Sure, way too many people showed up, the DJ's stopped playing at 2 (I mean who was really planning on staying till 7 am?), and don't get me started on the traffic. I took the bus and it was still bad. I can't imagine what it must have been like to drive with parking lots charging $25. The interactive art was quite cool in my opinion though. In particular the shadow puppets on the moon and the voice activated visualizer projecting on the fountain were worth getting my shoes sandy on this Saturday. And...it's the first time the SM Pier has ever been allowed to host an event. History people, history. The Dark Knight will still be in theaters.

The crowd and I @ Glow


Jack in the Moon


THe new Ferris Wheel

Beck Cancelled due to Schedule Conflict??

What happened? Did Tom spring a "must-attend" Dianetics seminar on the group? Oh well, you don't want to piss off Xenu.

Two Girls at the Wiltern! with Beirut as Background

Dear Drunk Blonde #1 and your friend Drunk Blonde #2,
I wanted to apologize on behalf of everyone at the Wiltern Friday night who thought they were there to see Beirut. We didn't realize it was just another bar with a live band and a $30 cover charge. I'm sorry if Zach Condon and the rest of his magnificent Balkan-esque orchestra was preventing you from hearing your own voice. Thankfully you're able to shout loud enough so your friend can hear you! Also, Thank you for helping make our roads safer by completing all of your texting during Beirut before you got in your car and tried to do it while driving home.

Did you happen to meet the guys to my right? They had very loud voices too. It's a good thing because they had a lot to say as well. I think the four of you would have a grand ol' time discussing how many beers you were able to drink and how tubas kind of sound like farts.

Watching the development of this one time bedroom composer was very inspiring. For such a young musician, Condon scraps the rote pop music formula and substitutes the rote guitar and bass, for trumpets, ukuleles, mandolins, and French Horns. His art seems to belong in a waltz ballroom just as much as it does in the Wiltern.



What I could hear from Beirut over my neighbors was wonderful. The pit section was aglow with the displays of digital cameras and cell phones when Beirut took the stage at 11:00. They/He opened with Nantes and followed it not long after with the other single from The Flying Cup Club, A Sunday Smile. The rest of the evening was sprinkled with tunes from both of his albums with Maestro Condon at times merely conducting his talented orchestra. The first of two encores demanded by the raucous crowd began with Postcards From Italy.

I'm glad the two blonds appeared to finish their conversation and I'm glad they were able to share the concert with whomever was on the other end of their Blackberry. Because after all, what other purpose does going to a show have other than being able make your friends who aren't there envious?

Postcards From Italy
.

Foals! I told you all! See FOALS!!

I tried. I really tried! I told everyone, "Foals. Troubadour, May 24th, $10! Or, for my more northern comrades, "Foals, Popscene, Thursday!!!" Well, now all I can say is I TOLD YOU SO!!! This band won't be returning to a club that small, for a price cheaper than their cd, ever again. The Troubadour was just 1 day after their appearance on the Jimmy Kimmel Show and they now have a slot at a few of this summers upcoming Download Festivals.

How good are Foals? I actually own the CD. As in "I bought it from Amoeba, burned it, and didn't return it for 75% credit" good. In an attempt to not bore the reader with fawning adjectives, I will just say they were perfect live. They played every song off Antidotes and included grooovy improv jams at the beginning, during a broken string change, and at the intro to the encore. As any good band should, they didnt save their singles Cassius or Balloons for the predictable encore. Bravo, thank you, and see you again.

Set List:
French Open
Cassius
Olympic Airways
Balloons
Heavy Water
Two Steps Twice
Hummer
Red Socks Pugie
Electric Bloom
*encore* Mathletics

Foals - Cassius

Some Things Are More Important Than Music

Like how the hell you're supposed to get to shows. Happy Memorial Day Weekend!